FOr this part of the module we were asked to design a still life composition and to play around with colour to achieve texture, tone and depth, using colours that were not what we would expect to use, rather than ‘just’ drawing in the regular colour scheme.
I was really looking forward to this part of the module and was developing something of a real respect for the humble apple and banana. I had also become aware of the importance and significance of texture in drawings and therefore decided to stick with my theme of apples, bananas and carrier bags.
I have done extensive drawings in my sketchbook of these things using various different materials and achieving varying levels of success.
I decided to go all out and use bright and garish colours to depict these subjects and dove right in with my first attempt.
I was getting along nicely with this one and thoroughly enjoying it, then massively overworked the carrier bag in the middle of the drawing. I was disappointed because until then it was working rather well. I was having fun playing with alternative colours and thought that it was going to plan, but got a bit obsessed with the carrier bag handle and over did it!
So I started again…. same subject but honestly, lost all interest in it because I think that the colours went from being quirky and fun and a bit different to just looking rank and offensive …. time to try again…..
number three started, I was a bit happier with the colours but then realised that as I had shifted my position without realising it whilst drawing the initial sketch for the shapes, I had inadvertently and unknowingly caused the apples at the back of the carrier bag to appear as if they were floating and not sat on the table top properly. Completely unsatisfied with that outcome, I decided to stop again and start a new one…..
Also reflecting back over this exercise, I had not done a very good job up until this point in terms of making the apples look shiny and round, the way that i have drawn them, the very shiny, round parts of the apples look like they are actually flat and shiny.
drawing the outlines again, I managed to sort out the floating apple issue and get that part of the drawing right, but then managed to pick colours for the bananas which were in danger of triggering a migraine. I am all for creating challenging pieces but added to the frustration at having started the same drawing 4 times was the fact that the colours that I had chosen were making me feel nauseated…. I decided to sling it to one side and start again…..
Studying the still life composition carefully for the 5th time, I managed to draw what I thought was an accurate depiction of what was in front of me, I accidentally ended up with a floating apple. Not deterred, I persevered and finished the outline then plucked possibly the most disgusting colour out of the 200 or so colours that I have to choose from and coloured in the wall behind the fruit all in that colour.
By now I was tearing my hair out somewhat as this previously pleasurable and enjoyable task was now becoming a migraine-inducing, nausea promoting pain in the backside!
I decided at this point to take a hiatus from the carrier bag of fruit and leave it well alone for a couple of weeks and get on with something else.
WHen I came back to it some time later I decided to do things a bit differently. I swapped the plastic bag for a paper one and put a bunch of bananas (obviously not the same ones) on the opposite side of the composition instead.
This actually was way more pleasing on the eye!
The I set about taking into consideration everything that I had learned from my first five attempts at drawing this picture and set to.
This time…. IT WORKED!!!
I think that this works really well. I much, MUCH prefer the colours that I have chosen to use. The only part of the drawing that I am not happy with is the dark shadow on the left side of the apple at the front of the drawing looks like a hole and not like a shadow…
I like the use of light and dark and how I have managed to achieve some quite striking differences in tone with out using obviously contrasting shades of black and white. I am having something of a love affair with brown paper, I LOVE drawing on it and think it gives a really great effect.
Over all this was a really interesting if a little frustrating exercise at times. I think that I have met the required outcomes and I am happy with the result.
As I have already shared, this has been a difficult time with my mental health and physical health too. (Actually I think I only shared that my mental health has been poor, I didn’t mention my physical health…) Well my mental health has started to stabilise now, I am feeling a lot more ‘together’ and ‘with it’. Physically though, there is a very different story to tell.
I have been suffering with a huge flare up of whatever is wrong with me. My GP is sure that all that ails me is fibromyalgia, but I can’t help feeling like this is a somewhat ‘dustbin diagnosis’; basically I feel like I have had the label of fibromyalgia slapped on me because nobody can be bothered/will make the effort to run necessary tests and diagnose me with the actual thing that I am ill with! .
Starting from the bottom up, feet first, there is literally not a part of my body which does not cause me pain, though for the majority of the time it is in my joints, not just soft tissue. I also have very hypermobile joints, meaning that the flexibility in my joints is over extended, even though they are sore and tender. My ankles particularly are very weak and I fall a lot, though this is not just the joint pain causing me to fall, but the fact that in addition to the pain I am in, I also suffer with chronic debilitating dizziness. I have had this investigated and the only things that they were able to say with certainty are that a) I have a rather low blood pressure, which stays low even when I have been standing for a while, and b) I have something called psychogenic syncope which roughly translates as “falls over because of psychological reasons”.
I cannot argue the low blood pressure, there is evidence to back that up, but the psychogenic syncope, which is rather vague, basically means that because of my mental health I have fainting fits. It seems to tie in with the dissociative symptoms a lot. I have had several really nasty falls which have occurred at times when I have been blissfully unaware of the fact that I am even awake, let alone not maintaining my balance.
Twice I have broken bones in my altered state, the first time I cracked my cheekbone, not badly but badly enough that 18 months later it still gives me pain. Then last time I did some serious damage whilst unaware I broke my top thumb knuckle into three pieces crushing it under a chair. I don’t actually remember the breaking of the bone, but when I woke up, some part inside me had had a field day wrecking my living room in bizarre ways…
I woke up in the morning with an extremely sore thumb. I was, at that time, being assessed to see if I had Lupus- still a possibility but they have not taken that ‘evidence’ seriously or to the next round of testing because I think that they think I am making a fuss about nothing. Anyway I woke up with a sore thumb and assumed that it was joint pain, so I put a heat patch on the whole of my thumb and held it in place with a wrist splint. I then set to cleaning my flat because I had had a huge flood in here, unbeknown to me I was cleaning vigorously with a shattered thumb knuckle. I cannot even describe how painful it was. Anyway, I took the heat pad off and saw that my thumb had gone several shades of purple and was nearly three times it’s normal size, so my friend brought me to A & E and we discovered that not only was it broken, but badly broken. Six weeks minimum in a splint after 2 weeks in a full arm cast. NIGHTMARE. It was also my right thumb I am right handed- which made everything difficult and lots of things impossible.
What upset me the most though was the fact that I had and still have no recollection of the fall. When I woke up the scene in the living room was really disturbing. I had spread several packs of gardening seeds all over the coffee table, I had placed plushy dog toys under all the legs of all the dining chairs. All my photos were upside down. All of the blankets and cushions out of the living room were in a pile by the front door. One of the dining chairs was lying down- which the doctors and so on thought was how I broke my thumb by falling on the chair and crushing my thumb underneath it. scary stuff. I had also emptied two pencil cases FULL of pens and pencils into my bin. It was so weird. Like I said though, I still have zero recollection of what happened that night and it was traumatic piecing it all together.
Anyway, the reason for my bringing this up, and getting side tracked (hahaha, nothing new there!) is because my physical health is really dreadful at the moment. I have had five falls in the last two and a half weeks. smashing my phone, getting gravel all embedded in my hand and knees, covering myself with mud, denting my ego rather spectacularly, and mostly really hurting myself. Part of the problem is lack of awareness and the fact that I have done myself real damage.
So yeah the physical side of things is really not good. I am having to use my crutches more and more to enable me to leave the house, and I HATE it!
Having said that, the lack of mobility means that I have ample time to sit and draw. And once I had gotten over my hump of not being able to draw, I was drained and depressed and mentally not in a good place.
I began to draw things out of the garden, flowers, leaves etc, and from photos that I took on holiday (Pete the Duck for example!) and using different media to emphasise tone and texture.
I did a couple of drawings of flowers after I had enjoyed doing my Iris pictures so much, but found that they lacked the depth and detail of the irises, I think that I just prefer the colours and the shape and the unusual markings of the irises more than I do on these flowers… they would make good greetings cards but not much else…
And then I did a few other different pictures, the “Pete the Duck” pic being one of my favourites!
Not so happy with the hand one although I like the colours, it came out somewhat chunkier and more manly than my actual hands! Still an interesting and fun picture to draw, it was difficult to achieve the fine detail with soft pastels on a paper with a bit more tooth.
Finally I drew some pictures of non famous people, one was a commission piece of work for a birthday present for the person who was the subject of the portrait- and she loved it! wow! the other ones are my cousins, Maisie and Reddvers.
Maisie loved her portrait. She is still very young (13? 14?) but an incredible artist herself, so busy drawing everyone else that she doesn’t do any of herself and nobody else does either, so it was a nice surprise for her to get it!
Re-engaging with the drawing of objects form the garden, animals from photographs and other organic items was so much fun. I enjoyed it and managed to include some of the items from previous work
As you can see I included the skull that I eventually had in my final piece in these two still life studies. Actually I had never drawn a picture exclusively in charcoal before and though I was at a disadvantage, my paper was flat on the table as I did not have an easel or a drawing board that would allow me to elevate the paper, thus I ended up with a wonky picture with poor perspective as It was being drawn flat on the table. It actually looks worse in the photo than in real life because I had to angle the camera in such a way that it actually took the picture, let alone managing to get the perspective corrected. I will be investing on a tilting A1 drawing board just as soon as I can afford one as it is absolutely essential unless you keeps stopping and standing over the picture and preparing to draw the lines in using a ruler for accuracy, it would really make my work a lot easier to have a board on a stand so that I am facing my work rather than having it stretched out in front of me looking all wonky when I am done with it! still, I had a go and having never drawn a picture exclusively in charcoal before I was actually pleasantly surprised with the results!
Odilon Redon was born in Bordeaux on April 20, 1840 and died on July 6, 1916. The young Bertrand-Jean Redon acquired the nickname “Odilon” from his mother, Odile. He started drawing as a ten year old and even won a prize for his drawing but upon his father’s insistence switched to architecture as a teen. He failed to get into the architecture school at Paris’ École des Beaux-Arts which ended that career before it started however continued to study painting there in 1864 under Jean-Léon Gérôme before returning to Bordeaux, where he took up sculpting. He studied with the draughtsman and engraver Rodolphe Bresdin who introduced him to etching and lithography.
He continued with his artistic career until 1870 when he was called to fight in the Franco-Prussian War.
After the war he returned to Paris and worked almost exclusively in charcoal and lithography and entered his “Noirs” period, making what he called his visionary works, almost entirely in shades of black. This picture above and the one below are very similar in their composition and feel, though done almost 20 years apart:
I have picked out a number of his works spanning the era of his use of charcoal and which reflect a wide variety of his works during the period of 1875 up to 1900, all of which show great depth, tone and shading which Redon portrayed so well.
In the first two pictures I am instantly drawn to the centre of the picture by the lines of the trees, the depth and shading give the picture a feeling of mystery and gloominess. I feel a heaviness in these two pictures which is alleviated when I inspect the pictures more closely and see that he has picked out spots of light and dappled greys on the bottoms of the trees, implying a more fantastical quality to his work, almost like he is illustrating a fairy tale about a deep dark woods.
At first the pictures look heavy, verging on clumsy, but when I study them more closely, there is fine detail in the twigs and fronds of leaves in the undergrowth. In the first picture I feel almost as though the relationship between the two trees is almost conspiratorial, secretive and as though one tree is whispering to the other, the trees seem to take on a more human form. In the second picture the trees are leaning away from each other, like they have fallen out, it is almost as if the second picture is the conclusion to the first picture when viewed as a pair.
I decided to look at the way that Redon has used shading on more spherical objects, using the patches of light and dark to give weight and imply lightness also:
What I think is amazing about these two pictures is that the subject is the same, the sphere, yet with a difference in shading makes the top one have such a hugely heavy weight like a giant cannonball and the other looks light as a feather, like it is floating. It shows that with the right kind of shading any ‘weight’ of object can be achieved and the shading that he has used in these pictures gives the objects a very 3D appearance. I also really like the delicate use of shading on the lighter areas of the object and the lighter areas on the pictures as a whole. There is no solid ‘line’ around the whole sphere in either picture, all of the shape is implied using shading.
Odilon Redon was greatly inspired by the author/poet Edgar Allen Poe, though he had been dead for 33 years at the time that Redon was involved in making lithographs. Although his picture seem somewhat surreal, they are not classed as such, instead being described as realistic yet macabre and ethereal, Redon described his work in the following way: “I approached the unlikely by means of the unlikely and could give visual logic to the imaginary elements which I perceived.” [more about this can be found here]. Above and below are a couple of his Edgar Allen Poe inspired pieces:
I really like how Redon has implied menace and the macabre through his use of heavy black and minimal light areas picked out of the blackness. Again on first viewing these pictures they have an air of naivete but on looking, and really seeing the mages, there is a certain maturity, a conveying of real emotion which is achieved purely through the sensitive use of one colour.
Having enjoyed the texture studies so much I decided to carry on doing some drawings of items from nature to explore texture using other drawing media than just pencil. I particularly enjoy drawing with biro, colouring pencil and graphite pencil together for a really dark and detailed effect. I started out drawing this shell from two different angles, the top and the underneath:
Having enjoyed drawing this object from nature I decided to collect a group of objects from a dog walk and my garden, an iris, a stick, a stone, some fuchsias, holly and a pine cone. I decided to draw directly into my sketch book onto the brown paper rather than on white paper and sticking it in. This was the result:
I’m more or less happy with this, although it is a study I still like the composition of this the way the items are stacked together, though there are no real shadows cast between the objects as the light was really bright in the room and not from any particular direction, I will be using a spot light in future as I will need to light still life set ups from at least one side and my table is in a dark corner f the room.
In the future when my studio is built (it’s being built on September 8th, I’ve been keeping a countdown calendar!!!)I will have a huge table to draw on (80cm deep by 180cm wide) which will be height adjustable and a MUCH better chair that has been made for me to suit my needs. I went to get assessed or these a few days ago and they should be manufactured by the time my studio is finished being built. The table will be side on to the window in the studio so there will always be a side on light naturally but I will also be investing in a lamp with a daylight bulb and spot lights for lighting up still life and objects to be built. I really cannot wait for this to be built as it will help me enormously in the pursuit of the right working environment…..
Anyway, after the mixed natural objects texture study with mixed media on brown paper, I realised that the combination of drawing media and the brown paper was beautiful, so I decided to do a more detailed study of just irises, which in my opinion were the better of the flowers that I had drawn in the previous study and chose a photograph of last years irises and long grass like leaves.I really really enjoyed drawing the picture that I ended up with:
Like I said, I am really happy with the outcome, I love the detail and the many, many shades of blues and purples in the flowers. Again, drawing these irises has increased my respect for nature, the exquisite detail on the petals, all the different shades of burnt orange, blues, purples and greens, as well as burgundy, red…. the veins in the petals….Here are a couple of drawings of my progress whilst I was doing the picture, different stages and although I think that the detail is lovely without the finer detail being added by biro, I still think I prefer the more detailed version.
I love the brown paper as a backdrop and can’ believe I have never used brown paper to draw directly onto before and I am thrilled with the results so will be investing in some large sheets of it for future work.
I have also constructed and drawn my first collection of objects for still life work. I chose a sheep’s skull, two class vases, a glass bottle full of water, an empty glass jar, a leather bound book, a glass paperweight and a large piece of calico fabric. I set up the still life on my table and because of the lack of natural light I decided to play with ways of lighting up the piece with different forms of light to cast interesting shadows and to play with reflections and shade In the end I decided on two sets of 4 tea light candles in two spaces in front and to the side of the still life set up, this made some beautiful twinkly light reflecting off the glass and shiny objects as well as some really interesting shadows on the non shiny objects.
I chose to work on off white cartridge paper, A2 in size and use charcoal, just plain willow charcoal sticks in various widths and a putty rubber. I have only ever used willow charcoal once and that as for lie drawing multiple five minute rapid pose sketches and am not familiar with it’s imitations or benefits, so I thought would give it a shot.
I decided to do the whole still life arrangement first on one sheet of A2 paper and found charcoal really difficult to work with I would like to redraw it on black sugar paper with chalk and charcoal together. It was a difficult medium to use as it smudges really easily and makes a huge mess! However as this was my first ever attempt at drawing seriously with charcoal I am pretty happy with the results. I think I got enough detail to make each aspect of the arrangement identifiable. The actual picture is not on the tilt like the photograph depicts it to be, the lines are pretty much straight, though this was difficult to achieve because I don’t have a tilted drawing board at the moment so I was working flat which messed somewhat with my ability to get the perspective correct. When I get my art studio I will be investing in a table top drawing board which tilts to avoid this difficulty occurring in the future.
This is a photograph of the first drawing:
Although the photograph makes t look wonky, the actual still life looks better, it is still clear that ll the objects are recognisable and that the picture mostly works. The only part that really sticks out to me as being wrong is the small jar in the bottom right of the picture, it looks like it is floating because I wasn’t heavy handed enough with the charcoal. I also realised how hard it is to achieve minute detail with a drawing implement that blunts so rapidly. I am pretty much happy with the over all look except the fact that the photograph angle that I took it at makes it all look like the tall items are drastically leaning inwards, I know that they do to some extent on the actual picture but not to this extent.
I decided to pick out a corner of the still life and draw it bigger with more detail. Again the photograph makes it look wonky and again the actual picture is not as only, but this again really highlights the need to invest in a proper tilted drawing board.
I think that this works better in terms of the weight of the objects is far better conveyed, also felt like I was finding better ways of using the charcoal and the putty rubber to better effect, especially on the skull and vases behind it. I ill be doing a couple more smaller A3 drawings of the same still life using other drawing media, maybe mixed media on A3 cartridge paper and maybe an A1 black sugar paper piece using charcoal and chalk, just to see what works well and what materials I am comfortable working with and which ones I need to revisit and practice using more.
I might even do a smaller one directly into my sketch book so that I can check out the effect of working with graphite and biro with this kind of still life on brown paper…
I picked these objects because I LOVE my sheep’s skull, it is old and perished and so full of history,. I chose several reflective objects so that I could pay with the reflections of reflections of reflections, also I wanted completely transparent objects because I wanted to be able to see the calico behind it. I chose the book and jars as they are typically rectangular boy shapes as well as the jars having circles and ellipses, and I chose the flower because I wanted something living in the picture full of inert objects. I don’t actually like the way the flower turned out as a drawing though I do like the way it adds eight to the collection of objects which would otherwise have ended up being all the same height and have no kinds of interesting levels to it.
I did really love the way that the candle light lit up the picture. I would love to try adding just a couple of colours to add warmth to the drawing. I may take a couple of photos of the set up still life so that I can revisit it later when I have time to really get stuck into it as I really do believe that it is worth revisiting…
Part two of the course, drawing texture…. this was an interesting one. Once I had de-bugged a few demons I have been raring to go. The brief was to draw a few examples of texture. I did a few but had so much fun I decided to keep going. Obviously there are some that are better than others. I have found that the more I enjoy working on something the better it turns out…. simple reasoning there I reckon. Anyway here are the texture sketches that I did with some self reviewing comments underneath….
So this is one that I am not so happy with, it’s a picture of those ‘Tête á Tête‘ daffodils the double headed ones, They were virtually transparent with the light behind them and though I think I have achieved a level of transparency it is rather clumsy, but then I didn’t really enjoy drawing them…..
I was more pleased with these very fast sketches, as I think that i have managed to capture something of a lightness that feathers have. I have quite a collection of white feathers that I find around the place, I like to think of them as angel feathers (waits patiently for all thee non-believers to finish shaking your heads….). These sketches literally took about 6 minutes to finish and I think that even though they were fast they weren’t rushed, and they have a kind of ethereal floaty texture….
I picked this one because of the texture of the bristles, I think the handle looks rushed, because it was and because I was more bothered about the bristles than I was about the plastic handle. I did my best to stay true to the original object even though it makes me look like I need a new nail brush as all the bristles are wonky and dishevelled looking… Over all I am pleased with how the texture of the bristles came out.
Though I am pleased with the over all ‘feel’ of the drawing, it is far too uniform and regular to look real. It looks comfortable ad warm, but it is not as imperfect as the original item, it doesn’t show any of the pilling that has occurred on the cushion cover. I think this proves that I am not a fan of regular pattern reproduction, I found it petty boring to draw, possibly made worse by the fact that the night before I had tried to draw it in failing light and cocked it up completely, even though the original picture was cocked up, it somehow had more ‘life’ to it, but in my annoyance with the failing light I screwed it up and threw it away.
Molly had a good go at this all over the living room carpet….. joy! But I rescued it and was fascinated by all of the little shreds of fibres, however, even though it is a pretty good representation of the original item, out of context it doesn’t seem to mean as much as the item does in my hand. Maybe with some other natural objects it might have more presence and seem less like a collection of lines floating in space. though I do like the texture over all.
I liked the *idea* of this one, I liked that it is dual textured, the fluffiness of the dandelion captured in acrylic that is hard, reflective and shiny. The photo doesn’t do the drawing justice because I couldn’t angle the camera without getting a ruddy great shadow in the picture, so I have ended up taking a picture that makes the drawing look squiffy and out of shape. In real life the dome is not on the tilt. I am happy with how the shine and the reflectiveness of the surface came out in the drawing but the dandelion clock is kind of sparse and not very detailed and I kind of lost interest in it half way through doing all those dandelion spikes….. My dad says that it looks like Darth Vader’s helmet if Darth Vader had been a hippie. He also recognised the picture as being of the paper weight he had bought for his parents in law many years ago. I guess tat is a ringing endorsement that it does indeed represent the item it is meant to be….
I actually really enjoyed drawing this and yet am slightly disappointed with the results. it has nice texture, which is good, hits the brief, but again looks kinda clumsy, I know I could do better, but this bucks the trend because it is one which I really enjoyed but which came out not so good.
Pretty standard, I’m nether here not there about this one. I went into the garden, picked the top chunk of a weed and came back and drew it. I enjoyed drawing it and was fairly in my stride by this point and the texture of the leaves is pretty evident, but I can’t help feeling that I would have felt more in my element drawing something ridiculously bubbly like a savoy cabbage leaf instead. I did enjoy this and will definitely be drawing more leaves as I LOVE nature and growing, I have a fertile garden FULL of things growing so there will be plenty of opportunities to draw natural things…..
I LOVED drawing this one. I thoroughly love this stone anyway, I love the pitted parts and the holes which go all the way through. I am so happy with the pitted areas and the depth of the picture, it looks almost real to me. I also like the way it looks smooth but still rough which it absolutely is.
I really engaged in drawing this one. Like I said I love nature and organic material to draw, I love and adore nature and faces and features and life drawing too, anything with organic lines and shapes and forms. I love the twists and turns in this log, and the different textures, from the algae mouldy bits to the wood and the bark, I love the fact that I just did a section, though also understand that without the rest of the tree or other objects the drawing again is a little bit out of context, though also understand that this is a matter of a study, not a complete ‘picture’. I am really looking forward to putting objects together and exploring more natural shapes, especially outdoor nature and the human form. This one really made me want to do more pictures of natural objects, but also reay made me want to keep drawing in general!
This one was a LOT harder to draw than I thought it would be! When I picked up the dried starfish out of the bathroom (Actually I don’t agree with the drying of starfish for bathroom decorations, but I do love starfish and was also given this one a a gift so didn’t want to waste a life by not keeping it!) I picked it because of its knobbly bits and bobbly bits. It was only when I had started to draw it that I realised just HOW knobbly and bobbly it actually is! I have a whole lot more respect for this starfish having drawn it than I did before hand. Nature is a fantastic thing! Although I am pleased with the outcome of this one, and the people who I have shown the pictures to unanimously vote this one as their favourite long with the pineapple one next, so there must be something of a unique and interesting quality to the drawing as well a some skill. I’m still not entirely happy with it, but I am a relentless perfectionist. I do, however, LOVE the texture and the way that despite it’s complicated texture the end result is pleasing.
I think that this picture was my favourite one to draw out of all of them, and I think it shows. I love the fact that the texture looks like a repeating pattern at first glance and in actual fact is anything but. I think this is one reason that I loved drawing it so much, because it was so subtly different in every part of it. Each spiky leaf is totally different, each segment of the fruit differs completely from the others. I do happen to love pineapples a lot, though I hate prawns and crab and yet drawing those excites me too.
This exercise has really piqued my interest in texture, particularly textures found in nature as opposed to man made ones, and I am so looking forward to drawing faces, bodies and more organic items and doing individual studies has made me really keen to more onto drawing collections of items as it has made me far more aware of the importance of context.